Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Brun, Charles Le
Holy Family with the Infant Jesus Asleep (mk05)

ID: 20626

Brun, Charles Le Holy Family with the Infant Jesus Asleep (mk05)
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Brun, Charles Le Holy Family with the Infant Jesus Asleep (mk05)


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Brun, Charles Le

French Baroque Era Painter, 1619-1690 French painter and designer. He dominated 17th-century French painting as no other artist; it was not until over a century later, during the predominance of Jacques-Louis David, that artistic authority was again so concentrated in one man. Under the protection of a succession of important political figures, including Chancellor Pierre S?guier, Cardinal Richelieu and Nicolas Fouquet, Le Brun created a series of masterpieces of history and religious painting. For Louis XIV and his chief minister Jean-Baptiste Colbert he executed his greatest work, the royal palace of Versailles: an almost perfect ensemble of architecture, decoration and landscape. After Colbert's death in 1683, he was no longer able to count on prestigious commissions  Related Paintings of Brun, Charles Le :. | east bergholt rectory | self portrait in armor | Shepherds to the manger pilgrimage | Blue Eyes or Portrait of Madame Jeanne Hebuterne (mk39) | Ruins of the Castle at Rosemont |
Related Artists:
Heinrich Martin Krabbe
painted Young Lady in 19th/20th century
Heinrich Hellhoff
Heinrich Hellhoff (1868 - 1914).
Reuben Moulthrop
American portrait, miniature, wax sculptor b.1763-d.1814 American painter. As proprietor of a waxworks museum and travelling waxworks exhibition, he was interested in modelling in wax in his early years. While moving around his native state, he was exposed to several artistic influences, beginning with Winthrop Chandler. His earliest portraits seem to date from about 1788, when he completed Mr and Mrs Samuel Hathaway (1788; New Haven, CT, Colony Hist. Soc. Mus.). Its dark, heavy outlines, its flatness and almost geometric forms derive from Chandler. The quality of Moulthrop's paintings was extremely uneven; many of the best of the surviving body of about 50 works date from around 1800. The Rev. Thomas Robbins which depicts the sitter's direct gaze and contains more detail than the earlier portraits, shows the artist at his most accomplished. In the last years of his brief career he appears to have been influenced by William Jennys and John Durand,






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